Kanye's "Violent Crimes" Secret: The Pardison Fontaine Story!

Does the authenticity of art truly matter when the final product resonates deeply? It appears that the creative process behind Kanye West's "Violent Crimes" is more complex than initially perceived, igniting a debate about authorship and artistic integrity.

The revelation that Jordan Thorpe, the rapper and writer known as Pardison Fontaine, penned the verses for Kanye West's "Violent Crimes" from his album "Ye" has stirred considerable discussion among fans and critics alike. Kanye West himself disclosed this information via Twitter several months after the song's release. This disclosure has led many to question the perceived intimacy and genuineness of the track, which closes out "Ye" and is considered by some to be its most personal offering.

The song "Violent Crimes," released in 2018 as the final track on "Ye," features vocals from Ty Dolla $ign and 070 Shake, as well as a voicemail message from Nicki Minaj. The credited writers include Kanye West himself, 7 Aurelius, Irv Gotti, Ty Dolla $ign, Malik Yusef, 070 Shake, Mike Dean, Pardison Fontaine, and Kevin Parker. The extensive list of contributors highlights the collaborative nature of the track's creation.

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While Kanye West is known for enlisting assistance in his songwriting process, the extent of Pardison Fontaine's contribution to "Violent Crimes" has surprised many. Some fans have expressed feeling misled, believing the song was a purely personal reflection from Kanye West, particularly regarding his feelings about his daughters. The fact that Fontaine reportedly wrote most of the lyrics, with Kanye only making minor changes, has altered the perception of the song for some listeners.

Fontaine's involvement extends beyond "Violent Crimes," as he also has writing credits on other tracks from "Ye," including "Ghost Town," "Yikes," "All Mine," and "Wouldn't Leave." This underscores his significant contribution to the album as a whole. The revelation regarding "Violent Crimes," however, carries a different weight due to the song's deeply personal themes.

The debate surrounding the authorship of "Violent Crimes" raises broader questions about ghostwriting in the music industry. While collaboration is common, the degree to which a song's emotional core can be attributed to an artist when the lyrics are primarily written by someone else remains a point of contention. Some argue that the artist's interpretation and delivery are what ultimately matter, while others believe that the lyrics should reflect the artist's own experiences and perspective.

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The discussion also touches on the concept of "violent crime" itself, which serves as the song's namesake. A violent crime is typically defined in contrast to property crimes, where the victim does not sustain physical injury. However, the specific definition and categorization of violent crime can vary by jurisdiction. Generally, it encompasses offenses such as rape, assault, murder, and robbery.

Sociologist and criminologist William R. defines violent crime, in part, as rape of an unconscious person and human trafficking involving a sex act with minors. In this context, the title "Violent Crimes" could be interpreted as a reflection on the potential dangers and vulnerabilities faced by women, particularly young women, in society. The lyrics, regardless of their authorship, grapple with themes of protection, responsibility, and the anxieties of fatherhood.

Ironically, the political landscape surrounding the term "violent crime" is also relevant. Former Vice President Joe Biden has cited the significant reduction in the violent crime rate between 1994 and 2017, attributing this decline in part to the Violence Against Women Act (VAWA) and the strengthening of the Brady Bill. The VAWA, enacted in 1994 as part of the Violent Crime Control and Law Enforcement Act, aimed to address domestic violence, sexual assault, and stalking.

The history of the Violence Against Women Act reveals its origins in recognizing the severity of crimes associated with domestic violence, sexual assault, and stalking. The act has been reauthorized several times since its initial passage, reflecting its continued importance in addressing these issues. The law at issue was the sweeping violent crime control and law enforcement act of 1994, which provided funding for tens of thousands of community police officers and drug courts, banned certain.

In conclusion, the revelation that Pardison Fontaine wrote the verses for Kanye West's "Violent Crimes" has sparked a complex discussion about authorship, artistic integrity, and the meaning of personal expression in music. The song's themes, combined with the political context surrounding "violent crime," add further layers of interpretation to this already intriguing situation. Ultimately, the impact of this revelation on listeners will depend on their individual perspectives and their understanding of the creative process behind the music they enjoy.